His career as a dancer took him to the Ballet du Nord (Roubaix, France) where he met Jean Guizerix and Wilfride Piollet and then integrated their Barres Flexibles into his training and teaching. He discovered Baroque dance in the Cie l'Éventail by Marie-Geneviève Massé and later founded the Cie Divertimenty, for which he created Le Petit Chaperon rouge as a pantomime ballet (Pontoise Baroque Festival) and Les Coulisses du Ballet vénitien (Opéra Comique). In parallel, his research concerns the restitution of notated dances from the eighteenth century, notably the Ferrère manuscript. He teaches at the sports department of Sorbonne University and since its creation has contributed to the practical application of sources in the shows of the Théâtre Molière Sorbonne.
