The 44th Early Music and Dance Course in Urbino

The 44th Early Music and Dance Course in Urbino July 20-29
EARLY DANCE COURSES
 ITALIAN DANCE OF THE LATE 16th AND EARLY 17th CENTURIES   (9-13) Barbara Sparti Intermediate-advanced and advanced levels

will include balletti of Caroso, Lupi, Negri and Santucci,  the Canario, Ballo finale from Carallieri's  Rappresentazione di Anima e di Corpo (1600) 

 Special attention will be given to step technique (as described in particular treatises), style and interpretation (the affects of different dances and dance types within a balletto)and musical questions

Reconstruction   Barbara Sparti

 3:00 pm – 4:30 pm   intermediate-adavanced and advanced levels only 

Will include Ballo from the final intermedio of the Pellegrina: Cavalieri’s 1587 “O che nuovo miracolo”

 ______   Lute accompaniment for main courses (9-13)—Uwe Grosser

 

ITALIAN DANCE OF THE LATE 16th AND EARLY 17th CENTURIES  (9-13) Lieven Baert beginners and elementary levels 

Introduction to the dances of Italy, France, Spain and England of the 16th and 17th centuries.

Technique, repertory of balletti and galliard variations of Fabritio Caroso, Cesare Negri and Ercole Santucci

Playford country dances and Measures of the Inns of Court  (Ms.)

Spanish dances from Jacque

 

 Afternoon Course (17-18:30)—Lieven Baert

Introduction to nineteenth-century dances: Waltz, Polka, Quadriglia, contradances, Mazurka….

All levels



French dance of the 17th and 18th centuries (Baroque dance)  9-13

intermediate and advanced level   

Cecilia Gracio Moura

  The choice of dances will depend on the technical level of the participants.  Scores will be sent upon registration.   

 La  musette de Callirhoé, Pécour;  Le Branle allemand, Pècour;  Sarabande de Mr. Feuillet,  Gigue de M. Feuillet 


 

5-6:30 p.m.

French dance of the 17th and 18th centuries  (Baroque dance)

Cecilia Gracio Moura

open to students of the morning class, to musicians and to those with experience in baroque dance

INTERMEDIATE LEVEL

Study of technique and style through the steps, arm movements and choreographic sequences of the dances that form the French suite 

La Bacchante, Pécour;;  La Bretagne,  Pécour; Forlane pour deux femmes du  Ballet des Fragments de M. Lully, chorégraphiée par Pécour 



For more details, inscription, complete programme of courses, see http://www.fima-online.org/
or  write to Barbara Sparti at bsparti@mcllink.it

 

                      

                            


 


 


  

 

Urbino

Urbino
Italy

Teacher

+32-9-228.01.55
English Lieven Baert began his career in 1981 in Ghent, Belgium, and has studied with Elizabeth Aldrich, Ingrid Brainard, Angene Feves, Andrea Francalanci,... read more
tel./fax ++39 06 687 3131
Barbara Sparti is a dance historian specialized in 15th-17th century Italian dance. She founded and directed the company Gruppo di Danza Rinascimentale (1975 -... read more
English Cécilia Gracio-Moura studied at the National Conservatory of Lisbon. She holds the diplomas of Baroque Dance from Dolmetsch Historical Dance Society,... read more

Contacts

(+39) 06 321 08 06
via Col di Lana, 7 C.P. 6159
00195 Roma
Italy