Michael Normann
Michael
barocker-herbstball@web.de
Historisches Tanzen mit der SCA
Wir tanzen von 11.30 bis 16 Uhr . Kostenbeitrag EUR 8 für den Saal. Wir tanzen vor allem Tänze aus dem Gresley Manuskript (England, ca. 1490), den Inns of Court (England, ca 1600), dem Italien den 15. Jahrhundert (Domenico) und vermischtes aus vor-1650. Mehr Infos findet ihr auf meinem Profil hier und den angegebenen Websites.
- Workshop
- Ongoing classes
- Medieval
- Renaissance
- Quattrocento
- Beginner
- Intermediates
Schloss Hohenprießnitz
Michael
La Pazzia Senile - madrigal comedy by Adriano Banchieri
LA PAZZIA SENILE
by Adriano Banchieri
La Pazzia Senile is the first in a series of madrigal comedies that Banchieri wrote throughout his career. Ensemble Serikon performs the earliest version, published in 1598.
In La Pazzia Senile, as in most madrigal comedies, the characters are recognised as some of the stock characters from Commedia dell'arte, such as the old merchant Pantalone, the talkative Dottor Graziano and the not-so-bright servant Burattino, as well as the young lovers Doralice and Fulvio and the dominant woman Lauretta, experienced in many of the shadier walks of life...
Participants:
Artistic direction & Trombone: Daniel Stighäll
Stage direction: Tuvalisa Rangström
Scenography: Pia Davidson
Pantomime & Choreography: Karin Modigh
Pantomime & Violin: Per T Buhre
Song & Pantomime: Ingeborg Dalheim
Song & Speech: Daniel Ralphsson
Song: Karl Peter Eriksson
Recorders & Cornetto: Lene Langballe
Recorders: Emelie Roos
Theorbo & Baroque guitar: Dohyo Sol
Harpsichord: Gilbert Martinez
Masks by Torbjörn Alström
- Performance
- Commedia dell'Arte
- Professionals
La Pazzia Senile - madrigal comedy by Adriano Banchieri
LA PAZZIA SENILE
by Adriano Banchieri
La Pazzia Senile is the first in a series of madrigal comedies that Banchieri wrote throughout his career. Ensemble Serikon performs the earliest version, published in 1598.
In La Pazzia Senile, as in most madrigal comedies, the characters are recognised as some of the stock characters from Commedia dell'arte, such as the old merchant Pantalone, the talkative Dottor Graziano and the not-so-bright servant Burattino, as well as the young lovers Doralice and Fulvio and the dominant woman Lauretta, experienced in many of the shadier walks of life...
Participants:
Artistic direction & Trombone: Daniel Stighäll
Stage direction: Tuvalisa Rangström
Scenography: Pia Davidson
Pantomime & Choreography: Karin Modigh
Pantomime & Violin: Per T Buhre
Song & Pantomime: Ingeborg Dalheim
Song & Speech: Daniel Ralphsson
Song: Karl Peter Eriksson
Recorders & Cornetto: Lene Langballe
Recorders: Emelie Roos
Theorbo & Baroque guitar: Dohyo Sol
Harpsichord: Gilbert Martinez
Masks by Torbjörn Alström
- Performance
- Commedia dell'Arte
- Professionals
L'Orfeo at Trollhättan Early Music Days
L'Orfeo by Claudio Monteverdi (1607)
Semi-staged version
Stage direction: Per Buhre
Choreography: Karin Modigh
Musical direction. Gilbert Martinez and Mattias Eklund
Orfeo: Leif Aruhn-Solén
Eurydice/la Musica: Ingeborg Dalheim
Other parts: Tove Dahlberg, Daniel Ralphsson, Simon Duus and Per T Buhre
Trollhättans Motettkör
Dancers from N3 kulturskola
- Performance
- Renaissance
"Ballet des Nations" Cracovia Danza
Cracovia Danza Court Ballet invites you for a spectacle "Ballet des Nations", on May 11, at 7 pm in the Variete Theatre!
"Ballet des Nations" is a dance and music performance which brings back the Baroque tradition of presenting dances of different nations. Created by artists from Poland, the Czech Republic and the Slovak Republic who specialize in early music and historical dance, the performance familiarizes the audience with the music and dance repertoire of Central Europe of the mid-18th century. At the same time it shows inspirations and fascinations of western composers with the dances and culture of the countries of Central Europe. Variete theatre, Grzegórzecka 71, Cracow
"Ballet des Nations" is a dance and music performance which brings back the Baroque tradition of presenting dances of different nations. Created by artists from Poland, the Czech Republic and the Slovak Republic who specialize in early music and historical dance, the performance familiarizes the audience with the music and dance repertoire of Central Europe of the mid-18th century. At the same time it shows inspirations and fascinations of western composers with the dances and culture of the countries of Central Europe. Variete theatre, Grzegórzecka 71, Cracow
- Performance