Vorebereitungswochenende für den 9. Zürcher Barockball:

In der Zeit der Régence (1715-1723) scheinen die urfranzösischen 2-Paar-Cotillons in Paris ihren Siegeszug anzutreten. Kein Wunder: das französische Schrittmaterial beschränkt sich darin auf ein (rasch lernbares) Minimum und das Vokabular ihrer Formensprache ist auch sehr übersichtlich.

Wir widmen uns diesen aufstrebenden Cotillons ebenso wie den im Niedergang begriffenen Longways. Dabei richten wir unser Augenmerk und unsere Fussarbeit auch auf den Unterschied zwischen den "Contredanses en colonne à l'anglaise" und den "Contredanses en colonne à la française".

Choreographien aus

• Ms DURLACH 209/210 "Chorégraphie 1 und 2" c.1720
• Recueils de Contredanses 1706 (Feuillet), 1708 (Feuillet), 1712 (Dezais), 1717 (Jayme)

Buchen

Tanzmusik

 

Programm:

- 6 Branles zum Ballbeginn (Branle simple, Branle gay, Branle de Poitou, Branle double de Poitou, Branle double de Montirandé, Gavotte)

- La Gillotte (Reigen für 4 Paare)

- La Bourrée (5 Strophen)

- 4 Lothringer Branles

- Spagnoletta nuova da farsi in tre (Caroso 1581)

- Courante (Arbeau 1589)

- Spanische Pavane (Arbeau 1589)

- Grimstock (Playford 1651)

Buchen: https://www.vhszh.ch/.../400-jahre-praetorius/21S-0466-04/

Der unbekannte Riese – Die Passacaille de Scylla

Diese längste aller bekannten Passacaillen (219 Takte) ist der heute barocktanzenden Welt vermutlich gar nicht so bekannt, weil es noch keine Einspielung der Musik gibt. Das mag u. a. daran liegen, dass Theobaldo di Gatti, der Komponist der Oper „Scylla“, derzeit noch im Schatten seiner berühmteren Kollegen wie z. B. Lully oder Campra steht. Wir haben den großen Vorzug, dass wir in diesem Sommerkurs die schöne Musik der Passacaille live gespielt bekommen und uns der Aufgabe stellen können, diesen immens langen Tanz einzustudieren. Die Choreographie ist von Louis Pécour (Sammlung Feuillet 1704) und wurde von einer der großen Ballerinen der Pariser Oper, Therèse de Subligny getanzt. Auf Wunsch wird die Choreographie (Feuillet-Notation) vor dem Kurs zugeschickt. Bleibt uns noch Zeit, wollen ein kurzes Ballet nach einer Vorlage von Samuel Rudolf Behr erarbeiten, wobei wieder viel eigene Kreativität gefragt sein wird.

 

Hosted by the Royal Academy of Dance’s Faculty of Education, the international online conference Mapping Dance and Dance Teaching: Past(s), Present and Future(s) will bring together practitioners, teachers, educators and researchers to debate and interrogate the past, present and future of dance and teaching. As a leader in dance education and training, and with a track record in delivering pioneering conferences in London (2009, 2013), Sydney, (2016), Brisbane (2018) and Melbourne (2020), the Royal Academy of Dance continues its legacy of bringing together stakeholders from the fields of dance performance, dance education, dance training and associated interdisciplinary domains. 

Conference Programme

We are thrilled to be able to share the full programme, with details of the speakers, panels and workshops that will provide the platform for discussions at the conference. See the full programme here.

Online platform

The 2021 conference has been reimagined to be delivered online so that attendees can join us from anywhere in the world. To deliver the conference we are partnering with Forumm, a virtual event platform that will encapsulate all of the look and feel of an in-person conference, and bring delegates and presenters together through the use of chat functions and online networking rooms. Please note, the conference will not be recorded for later access. If you are booking outside of the UK, please check your time zone against BST (British Summer Time).

Tickets

One-day and two-day tickets are now available to book. BOOK NOW.

Midsummer Early Dance & Music Virtual Festival is coming back for the second year with a week full of events and activities all-about-historical dance supported by the Nonsuch History &Dance (UK), Dance & History e.V. (Germany), The New York Baroque Dance Company (USA).  

• The Festival will start with a theatrical early dance extravaganza assembled in a video “Staging Early Dance” featuring fragments of performances by The New York Baroque Dance Company (USA), Nonsuch History and Dance (UK), Hartig Ensemble-Dances and Ballets of Three Centuries (The Czech Republic), The Petit Trianon Baroque Company (Russia), Hubert Hazebroucq and Les Corps Eloquents (France), Diana Campóo (Spain), Caroline Muraldo (UK), Lieven Baert and Historical Dance and Theatre Practice Ghent (Belgium).
• From Monday till Saturday, you can join practical sessions (75 min long each) with Catherine Turocy, Hubert Hazebroucq, Sam Gosk, Caroline Muraldo, Darren Royston, and Diana Campóo.
• The workshop’s series will break on Wednesday night with a panel discussion with Moira Goff (UK), dance historian, blogger, and a former curator in the British Library; Paul Boucher (UK), a curator and creative director of the historic Montagu Music Collection at Boughton House, Birte Hofmann - Cabenda (Germany), an experienced historical dance teacher and amateur dance group leader; Katharine Pittman and Robert Weathers (USA), creative leads of the Evening Dance Ensemble at Colonial Williamsburg, a living-history museum and private foundation presenting a part of the historic district in the city of Williamsburg. The discussion will be led by Catherine Turocy (USA), one of today’s leading choreographers/reconstructors and stage directors in 17th and 18th century period performance. The presenters will share their experience of bringing to life dance from the past from various projects.
• The week finishes with the Ball or GloBal through another video display titled “Let’s have a Ball!” We will be visiting ballrooms and past events in the UK with Hampshire Regency Dancers, in Russia with Trianon Studio, in France with Affordanse, in Italy with Compagnia Nazionale di Danza Storica, in Belgium with Lieven Baert and Historical Dance and Theatre Practice Ghent, and in Germany with Potsdamer Rokoko e.V.

  The Festival ticket costs £20 covering practical sessions and round table discussion. See the full timetable for details. Practical sessions will be run on the Zoom Platform. Opening and closing videos will be available freely on YouTube. We are looking forward to welcoming you at the Festival!   More details and register: https://midsummerdance.co.uk/

 

Vive una experiencia única en los " Encuentros Músicas con Historia" en los que combinamos danza, música y artesanía para todas las edades: Talleres para aprender danzas históricas con música en directo, aprender a tocar música medieval con instrumentos históricos, construir instrumentos medievales o realizar piezas de cerámica con técnicas históricas ..Y talleres para los más pequeños de la familia: cuenta cuentos medievales, danzas para jugar bailando y talleres de percusión para jugar tocando.

Curso de instrumentos medievales con Emilio Villalba

Multiinstrumentista e investigador de músicas históricas nos enseñará el arte de reproducir en instrumentos históricos la notación medieval

Curso de Danzas Históricas con Marco Bendoni

Coreográfo y bailarín nos enseñará a recuperar coreografias olvidadas en la historia

Taller infantil " Construye el Medievo" con Sara Marina y Sherezade Soriano

Los más pequeños aprenderán jugando danza, música y artesanía medieval

Más información en fundacioninstrumentos@gmail.com y en www.instrumentosmusicalesconhistoria.com