In 1710 Campra created another poplar success with his opera-ballet “Les Fêtes Vénitiennes”. All the scenes are set in Venice during the Carnival, and many of the scenes and dances feature well-known commedia figures such as Harlequin and Pulcinella. In this course, we’ll be experimenting with ways of bringing commedia and mask-work into some of the many dances Campra wrote for this opera-ballet.

Jane Gingell has sent me this very interesting suggestion to improve the calendar. Definitely it will be very useful for many dance teachers and dancers. Please read her mail and add your ideas and comments....
[Jane writes...] I was just wondering about the possibility of an extra category in your website content. I know we can publicise an event, but it might also be good to be able to publicise a course "on offer".

Biennial Conference 2010
Dance and Heritage: Creation, Re-creation and Recreation
Sat 20th & Sun 21st March 2010 St Albans
The influence of heritage on dance creation through the centuries, e.g. the humanist, chivalric or classical influences on Renaissance choreographies; classical mythology and masques and ballets de cour; classical influences on 18th century dance creations; the influence of the 18th century on late 19th/early 20th century dance school choreographers...
All Saints Pastoral Centre
Organizer
Contacts

The Italian Tradition of Pantomimic Ballet
EDC 2010 ANNUAL LECTURE
7.15 p.m.
The Art Workers Guild
Organizer
Contacts
CRIF "Las Acacias"

Hours: Friday December 4, 19:00-22:00; Saturday December 5, 11:30-19:00; Sunday December 6, 10:00-16:00