Workshop

The featured dance will be The Princess Anna (saraband and boree) 1716 by L’Abbé, notated by Pemberton. This will be the basis for exploring musicality and expression within the style and discussion of the differences between L’Abbé and Feuillet and Pecour.

The workshop is aimed at varied levels of experience in the technique. Edith works sympathetically with all dancers, and will adjust and vary the material to suit participants. In support of this approach, music will be provided by Mollie Koenisberger on violin.

Les Rameau à l’honneur, Pierre et Jean-Philippe

Etude des pas de base pour tous, du style d’après le Maître à danser, Pierre Rameau, 1725, des parcours, figures et symétries propres à la Belle Dance sur les musiques de danse, notamment de Haendel, et de Jean-Philippe Rameau, (année Rameau !). 

Menuet à Quatre et ornements des pas de menuets

Pour tous, séances composées de 2 parties : tous, puis intermédiaires-avancés  

Théâtre et Eloquence baroque

Join us on this exciting and fun residential dance & theatre course where we will explore the Dance of the Deadly Sins. With the Nonsuch Dancers you’ll take a dancing trip through history…

Come and join the Nonsuch Dancers this summer for a fully residential dance course. Learning alongside our professional company of dancers and actors dressed in period costumes; you will dance circle dances, line dances, ballroom dances, processions and patterns – connecting to different historical periods, with music, art, costume and evening dances.

Carmona, Seville, Spain Dance of the Deadly Sins dance workshops with public performances in association with The University Pablo de Olavide.

Tänze im Kreis und Schlängelreien, stets natürlich bewegt; zu Musik aus dem 13. Jh., auch vom Jakobsweg:

Rimpferei 'Sumer ist înkomen nû', Carole "C'est la gieus", Como poden, Quen a omagen. 

Keine Vorkenntnisse nötig. Tänze leicht bis mittel.

Zu Sang und Klang von Schalmei, Flöten, Citole, Fidel, live!  

Alle sind willkommen, mit oder ohne historisches Kleid.

Sonntag-Kurs  10.15 -17.00 (Pause 13h-14.30) auf  Schloß Lenzburg (Rittersaal)

The theme of 15` "Cracovia Danza" Court Dance Festival is music, which has been connected with dance since its beginnings. G. Dumanoir's work "Le Mariage de la Musique avec la Danse" ("The Marriage of Music and Dance") proves that the inseparable bound between those two arts has existed for many years. Masters of dance played on instruments and musicians performed the art of dance. Through the events of the "Cracovia Danza" Court Dance Festival devoted to this subject we desire to find this unique harmony of dance and music, nowadays so hard to achieve and less practiced than before.

This year’s central work for the La Pellegrina Baroque Summer School is Purcell's semi-opera King Arthur. King Arthur will be performed ‘semi-staged’ in the Vokův sál, Bechyně castle's splendid historic hall. King Arthur is about the early history of the British Empire, namely the kings Arthur and Oswald vying for the Grail. In the famous stammer aria cold Oswald melts for the beautiful Emmeline, the guardian of the Grail. When she makes clear that her heart already belongs to King Arthur, Oswald decides to abduct her.

Dance in Italy,  Italian dance in Europe 1400 - 1900

for Barbara Sparti (1932 - 2013)

A conference for dancers, lovers of dance, researchers

Italy and dance - At the centre of our fourth Symposium is a passionate love story lasting many centuries - a theme which fascinated Barbara Sparti, one of the leading dance research­ers of the 20th century, throughout her life. We  have chosen to dedicate this Symposium to her memory.

Atelier de danse Baroque, vendredi 16 mai de 19h à 22h.

Lieu : Micadanses, 15 rue Geoffroy l'Asnier 75004 Paris
Studio So Schnell

Nous approfondirons les "fondamentaux" en travaillant sur les familles des
Pas de bourrée, Coupés de mouvement, des Contretemps et des Pas de
Gaillarde.
Nous les mettrons en pratique dans des séquences de chorégraphies du
répertoire baroque (La Furstemberg, Aimable Vainqueur).

Cie Fantaisies Baroques