
Thema Spanische Barocktänze und Kastagnetten (Arte del Danzado, Juan de Esquivel 1642)
Kosten 200/160 Euro (Erm. für Schüler und Studenten)
Kastagnetten können teilweise gestellt werden.
Vorkenntnisse im Kastagnettenspiel sind erwünscht, aber nicht unbedingt erforderlich. (Bei Fragen bitte an Bernd Niedecken wenden: 0761/5 42 42).
Ballettschule Esther Puls / Atelier de la Danse
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Contacts

Par Ana Yepes
Chers collègues, élèves, professeurs, danseurs, chorégraphes… qui pratiquez la danse baroque française :
Je voudrais attirer votre attention sur un détail technique de la danse baroque française, de la plus haute importance, d’après moi : il s’agit de comment finissent les pas.

G. Lambranzi is using picture puzzles to connect the dance-technical and dramaturgical aspects which play a part by inventing a theatrical dance.
The workshop combines practical an theoretical lessons – with the aim to read Lambranzis pictures as concrete information.
Well known Commedia dell Arte characters like Pulcinella an Skaramutza will be taken as examples for this splendid technique of theatre art.
On the basis of prepared structures every member of the workshop is invited to find an own way of interpretation.
Centro Duncan 3.0
Teacher
Contacts

A weekly course in Renaissance dancing for a total of 8 classes to be held each Wednesday from 18,30 to 20,00
Centro Culturale Margana
Teacher
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A weekly course in XIX century social dancing, with a total of ten classes held each wednesday from 18,30 to 20,00.
Centro Culturale Margana
Teacher
Contacts
Three weekend workshops in Commedia dell'Arte (one in november 2009, one in march 2010 and one in May, organized jointly by Il Teatro della Memoria and Ondadurto Teatro. Each workshop has a duration of 15 hours for a maximum of 20 students. It's possible to attend only one of the three workshops.
Program:
XVI and XVII Century Dances
Approach to Semimasks
Capitano, Pantalone, Brighella, Zanni, Zagna.
Approach to characters without mask
Signora, Servetta, Infarinato.
Themes and construction of lazzi
- individual sequences of characters
- relationships between semimasks