22 papers cover a fascinating range from 13th century illustrations of dance to Isadora Duncan and Ragtime, from the English Folk Revival to Indian Temple Dancers in 19th century Paris, from 18th century theatre dance to film.
Edited by Barbara Segal and Bill Tuck (2011).
Price - £10; (inc. P&P - UK - £11.50; EU - £14; Elsewhere - £16.50)
11:00 - 1:30 pm (Elementary Baroque Dance Classes in the afternoon)
Classes begin with a lively warm-up and move on to beautiful dances, from playful branles to the stately pavan and the lively galliard. Barbara teaches steps clearly and chooses dances to suit the abilities of her students.
11:00 - 1:30 pm (Elementary Baroque Dance Classes in the afternoon)
Classes begin with a lively warm-up and move on to beautiful dances, from playful branles to the stately pavan and the lively galliard. Barbara teaches steps clearly and chooses dances to suit the abilities of her students.
11:00 - 1:30 pm (Elementary Baroque Dance Classes in the afternoon)
Classes begin with a lively warm-up and move on to beautiful dances, from playful branles to the stately pavan and the lively galliard. Barbara teaches steps clearly and chooses dances to suit the abilities of her students.
11:00 - 1:30 pm (Elementary Baroque Dance Classes in the afternoon)
Classes begin with a lively warm-up and move on to beautiful dances, from playful branles to the stately pavan and the lively galliard. Barbara teaches steps clearly and chooses dances to suit the abilities of her students.
This conference will be of interest to dancers and historical dance researchers, and also to historians, musicians and drama students.
A varied programme of papers, performances and workshops will explore some of the ways our European dance heritage intersects with social life, across centuries and nations.
See www.earlydancecircle.co.uk for more details.
Im späten 18. Jahrhundert wurde der Ländler mit seinen einfachen Schritten und anmutigen, abwechslungsreichen Armführungen zu einem Favoriten der tanzbegeisterten Gesellschaft. Den Höhepunkt seiner Beliebtheit erreichte dieser Tanz im Wiener Biedermeier, wozu Franz Schubert mit seinen schönen Ländlerkompositionen maßgeblich beitrug. Daher wollen wir in diesem Kurs auch zu seiner Musik tanzen.
Figuren wie das "Fenster", die "Wellen" und der "Sturz" sind gar nicht schwer zu erlernen, bereiten aber Tänzern und Zuschauern gleichermaßen Vergnügen!
Quadrille “Le Prince Impérial“ (Paris, 1859) und “La Gigue Française de Salons“ (Paris, 1885)
Der historische Hintergrund
Harlekin persönlich lädt uns zu einer tänzerischen Zeitreise ins Barock ein - natürlich mit originalen Tänzen des 17./18. Jahrhunderts:
Viele schöne Kontratänze von sehr leicht bis anspruchsvoll;
Menuette für Tänzer(innen) mit Erfahrung;
barocke Paarchoreographien
- natürlich zu Livemusik.
Harlekin und Konsorten unterhalten das Publikum mit spielerischen und tänzerischen Einlagen.
Teilnehmer des Kurses "Commedia nel Balletto" stellen
komische Szenen nach S. R. Behr pantomimisch und tänzerisch dar.
Grand Ball
19th century social dance
Waltz, quadrille, contredance, mazurka, polka, marches, galop
In the charming Villa di Corliano (www.corliano.it), one of the most prestigious Renaissance villas in Tuscany, a fifteenth century decorated with graffiti typical of Florentine Mannerist Art and with frescoes, the association 'Societa' di Danza' organizes the
Christmas Grand Ball
in 19th century dress with 19th century social dance of European tradition.
The dance program includes quadrilles, figured waltzes, mazurka, french polka, marches, cotillons and galop.
